Keith Gallasch talks with director/choreographer Kate Champion on set about her latest work premiering premiering in the Sydney Festival and then playing in the Adelaide Festival

Urszula Dawkins samples the exotic edible artworks created as part of the Cross(X)Species Adventure Club exploring environmental sustainability

Keith Gallasch gets the run down on Jonathan Holloway's first feast for WA audiences

Teik-Kim Pok is immersed in recent experiential performances by Sydney emerging artists

Keith Gallasch samples Flickerfest 2012's shortfilm competition before it hits the road

Sam Gillies is intrigued by the collaboration between man and machine in recent compositions for the Disklavier

U-Ram Choe, John Curtin Gallery & the Proximity festival of one-on-one art, Perth; World Theatre Festival, Brisbane; Melbourne Indigenous Arts Festival & National Indigenous Photo Forum, Melbourne; Carnegie 18: New Music Theatre, Arts Centre Melbourne; Sound Kapital, Carriageworks, Sydney; Sculpture at Scenic World, Blue Mountains, NSW; Calls for proposals - ISEA2012; City of Sydney; Serial Space's Time Machine

Dan Edwards cuts through the controversy surrounding the arrest of actress Marzieh Vafamehr, to appreciate the depth and artistry of this Australian/Iranian film

Jack Sargeant questions the decision of the Classification Review Board which sees A Serbian Film banned in Australia and defends filmmakers' right to shock

Shannon O'Neill travels to Sarah Last's WIRED Lab to experience country hospitality and astounding sounds

As the NOW now festival approaches its 11th year, Gail Priest explores RealTime's coverage of the event over the decade revealing a snapshot of the evolving improv community in Australia.

Regular RealTime writer Dan Edwards tell us a little about himself and why he writes about the arts

Rafael Lozano-Hemmer lecture and exhibition, MCA; The Horse's Mouth, festival of autobiographical performance, The Old Fitzroy; DVD editions - dLux and Shortplay; Melbourne sounds - Robin Fox's Giant Theremin, Cara Anne Simpson's Geo Sound Helmets; Dale Gorfinkel's Out Hear Festival; Shen Shaomin's The Day After Tomorrow and Beijing Residency, 4A Centre for Contemporary Asian Art; Natalie Jeremijenko’s Cross(x)Species Adventure Club, Carbon Arts, Sydney, Melbourne, Avoca; FotoFreo Fringe call for proposals

Caroline Wake looks at some bold solos: Alice Mary Cooper's Clown Lights Stage; Nathan Harrison's The art and craft of approaching your head of department to submit a request for a raise; Bodysnatchers' Gobbledygook; Emeline Forster's Dust; and Meiwah Williams' La dos Fridas

Chris Reid contemplates the viewer as actor in two recent installation works: I may have to see YOU again, Charlie by Collins and Hold me Close and Let me Go/ I've been here before by Harris

Keith Gallasch is intrigued by the cross-cultural collaboration between choreographer Annalouise Paul, dancer Miranda Wheen and classical Indian tabla player Bobby Singh

Attempted censorship of Socìetas Raffaello Sanzio's On the Concept of the Face, regarding the Son of God in Paris; Amsterdam multimedia group PIPS:Lab in Sydney & Perth; Danielle Micich's Shiver, Performing Lines WA, Perth; Restless Dance Theatres' Debut 3—the dancers direct, Adelaide; Ilbijerri Theatre Company, The Minutes of Evidence Project and La Mama's Coranderrk, Melbourne; State Library of Queensland's Flash Women, Brisbane; Australia Council's National touring framework consultation

Keith Gallasch talks to the 2011 Tanja Liedtke Fellow about her time in Australia

Matthew Lorenzon is impressed by the range of approaches in this annual young composers concert

Lucky prompts Caroline Wake to reflect on how theatre works can best explore people smuggling and the plight of refugees

Brisbane International Film Festival; How Does Your Arts Career Grow?, Adelaide Festival Centre & Carclew Youth Arts; Backbone Youth Arts 2high Festival and Future Voices Forum; Adam Cruickshank, The Half Asleep Pilgrim, West Space; Tashmadada & Creative Non-Fiction's Australian issue essay contest; Hans Van den Broek collaboration, Homeland, FraserStudios, plus Open Day; Pop-Up Oxford Street expressions of interest.

Gail Priest on releases by Gulbenkoglu Gorfinkel; Ben Byrne; Alex White; Ivan Lysiak

RealTime on-site at TURA’s Totally Huge New Music Festival in Perth. Daily reviews plus video interviews with Marina Rosenfeld, composer in residence and Eugene Ughetti, Speak Percussion, ensemble in residence

Rules of Play, Tin Sheds Gallery, Performance Month, Peloton, Sydney; Art & About, Sydney; This Is Not Art, Newcastle, NSW; Atlas, Melbourne Fringe; Eighth Blackbird, Sydney Opera House; Site & Sound call for proposals, Leichhardt Council

Caroline Wake examines the invisibility but also the visions of asylum seekers in three recent exhibitions

Douglas Leonard is curiously vivified by the end of the world in the final offering of the La Boite Indie series

Kate Warren discovers big visions and hidden treasures in this year's Gertrude Street Projection Festival

Matthew Lorenzon surveys national and international online resources concerned with the practice of contemporary classical/new music

RealTime onsite @ Totally Huge New Music Festival, Perth; selections from Sydney Fringe Festival & Sydney Underground Film Festival; OzAsia 2011, Adelaide Festival Centre; Tarryn Gill & Pilar Mata Dupont's Stadium, PICA, Perth; Warwick Thornton's Stranded, Stills Gallery, Sydney; Bindi Cole, Seven Times Seven, Nellie Castan Gallery, Melbourne; Bangarra Dance Theatre, Belong, Wollongong & Melbourne

Gail Priest, Teik-Kim Pok and Sarah Miller explore the plenitude of performance and installation in the 2011 Underbelly Festival

Dan MacKinlay delights in the post-consumer DIY of recent audio installations at ican.

Jana Perkovic is swept up by the moment in The Little Con's improvised one-night-only performance at Dancehouse

The culture-jamming duo's most recent work presented at Fremantle Art Centre is a performance lecture exploring death and immortality in cinema. Interviewed by Laetitia Wilson.

Samantha Scott's Man Made Hybrid, Craft Cubed 2011; Public Fitting, Mark Titmarsh, Todd Robinson, MOP Projects; Max Lyandvert's Phonography, Paddington Reservoir; The Spare Room, New Theatre; La Boite Indie, The Hamlet Apocalypse, The Danger Ensemble; CIA Studios, Reckless Sleepers workshop

James Paull speaks with Edward Scheer about the pleasures and possibilities of interactive cinema in iCinema’s Scenario, presented at the Sydney Film Festival

Somaya Langley takes in Unguided Tours: The Anne Landa Award for Video and New Media Arts Exhibition, 2011 at the Art Gallery of NSW

Matthew Clayfield wanders through and wonders about a cardboard Manila in Within and Without at the Blacktown Arts Centre

Our series on RealTime contributors continues with profiles of Sydney-based visual arts writer Ella Mudie and Adelaide-based music and visual arts writer Chris Reid

Land, Sea and Sky: Contemporary Art of the Torres Strait Islands, GoMA; Saatchi Gallery in Adelaide: British Art Now, Art Gallery of SA; A Mini Festival of New Performance, Adelaide Festival Centre; STRUT Dance, PICA; Sweet Bird andsoforth, ATYP; Aphids, Thrashing Without Looking, Melbourne

Doug Leonard savours two independent productions at Metro Arts—Tim Dashwood and Nigel Poulton’s Dead Cargo and Eugene Gilfedder's Empire Burning

It’s a long way from Maxim Gorky’s original but Keith Gallasch finds much to admire in Jonathan Gavin’s grim comedy The Business

Oliver Downes considers Julia Leigh’s debut feature, the lush but enigmatic Sleeping Beauty

Gail Priest is startled by Alex Davies’ new work, The Black Box Sessions at UTS Gallery

PS122, New York; Soda_Jerk at Revelation Perth International Film Festival and Fremantle Arts Centre; Gertrude Projection Festival, Melbourne; Melbourne International Film Festival; Side to One, Adelaide and Sydney

Kate Warren rediscovers Aboriginal leader William Barak through the evocative works of Vernon Ah Kee, Jonathan Jones and Brook Andrew at Melbourne's NGV Ian Potter Centre

At Sydney's Tiny Stadiums Festival Caroline Wake encounters Applespiel’s Executive Stress/Corporate Retreat and Nat Randall’s Cheer Up Kid

Matthew Clayfield looks at the breakdown of a couple's break-up in Sands Through the Hourglass’s performance Trapture

Chris Reid reflects on Adelaide-based Iranian artist Nasim Nasr's comments about her works Rebirth and Women in Shadow

Post, Who's the Best?, STC; Bully Beef Stew, PACT; Belong, Bangarra Dance Theatre, QPAC; Shaun Tan: The Art of Story, Brisbane Powerhouse; Underbelly Arts Festival, Sydney; Liquid Architecture: National Festival of Sound Art; Arab Film Festival; Christoph Schlingesief, 54th Venice Biennale

Surveying the best of the 2011 Adelaide Film Festival, Keith Gallasch admires Beck Cole's feature debut about challenges for urban Indigenous women, Here I Am

Vivienne Gaskin speaks to Shaun Gladwell about the significant innovations realised in his Stereo Sequences commission from ACMI

Caroline Wake looks at form and meta-form in two and a half weeks of excellent work by Rhubarb Rhubarb, Charlie Garber & Gareth Davies, Zoe Coombs Marr, Claudia O'Doherty, Dr Brown and Miles O'Neil

Alana Hunt speaks with the artists and amateur gardeners behind the eco-venture Tending at Sydney College of the Arts

In the second installment of our new series on RealTime contributors, Matthew Lorenzon and Carl Nilsson-Polias tell us who they are and why they write

HighRise: An Intimate Portrait of a Vertical Neighbourhood, Auburn; Within and Without, Blacktown Arts Centre; pvi at Vitalstatistix, Port Adelaide; Vernacular Cultures and Contemporary Art from Australia, India and the Philippines, La Trobe University Museum of Art; Waiting for Asylum: Figures From an Archive, UQ Art Museum; Desperate Optimists, Australian tour; Penelopa, Nicholson Museum, University of Sydney, Art Gallery of NSW

Chris Reid praises Decibel's deeply satisfying sonic expansion of musical possibilities on their latest CD

To start our new series Burning Issue, Dan Edwards considers the case of Ai Weiwei and the rising cultural repression in China

Jonathan Bollen looks at the role of memory in Restless Dance Theatre's Take Me There

To coincide with our review of Take Me There, Anna Hickey-Moody looks back at our coverage of Restless Dance Theatre, Back to Back Theatre, Rawcus Theatre and others

Mike Majkowski, Decibel, Sunwrae String Quartet, Canberra International Music Festival; Experimenta: Utopia Now, Mornington Peninsula Regional Gallery; Physical Video, GoMA; Winner Douglas Sirk Box Set; Human Rights Arts and Film Festival, Melbourne; Head On Photo Festival, Sydney

Gail Priest enjoys the paradox of recording improvisation in Blip's Calibrated

Gail Priest is intrigued by a different approach to ecological audio in Flaming Pines' release Listen to the Weather

In d/Lux/MediaArts' latest production, iPhone in hand, Kirsten Krauth goes 'looking for love' in Sydney's Chinatown

Our guide to the best and latest websites devoted to contemporary performance around the world

Our new series on RealTime contributors commences with Jana Perkovic and Urszula Dawkins, who tell us about themselves and why they write

Ella Mudie reviews Fiona McGregor's latest work, Vertigo, and interviews the writer and visual artist about the day-long durational performance remediated as a five-hour video installation

Bonita Ely, Three Rivers, AEAF; The Right to the City, TinSheds Gallery; The Waterloo Girls; Tiny Stadiums, PACT; Yang Fudong, Sherman Contemporary Art Foundation

From March 15 to 27 RealTime is in residence at Melbourne's Dance Massive. See reviews of Chunky Move, Rosalind Crisp, Michelle Heaven, Shaun McLeod, Narelle Benjamin, Branch Nebula. PLUS video interviews

John Bailey interviews sculptor Reuben Margolin about his incredible kinetic scupltures and his collaboration with Chunky Move on Connected

Erin Brannigan speaks with Italian choreographer Jacopo Godani about his training, his time with William Forsythe and his new work for the Sydney Dance Company

Keith Gallasch looks forward to Wim Wenders' new 3D film Pina—to be screened at the upcoming Festival of German Film—and back to his memories of Bausch's work

Photography & Place: Australian Landscape Photography 1970s Until Now, AGNSW; Annie Leibovitz: A Photographer's Life 1990-2005 and The Begin-Again: A Contemporary Art Tour at Night, MCA; National Photographic Prize, National Portrait Gallery, Canberra; Wats On Ur iPhone? West Gippsland Art Gallery; American Dreams: 20th Century Photography from George Eastman House, Bendigo Art Gallery

Chris Reid savours the complex and luxurious sounds of Topology's latest album Difference Engine

A dissenting Keith Gallasch admires Belvoir's Wild Duck but asks can it match Ibsen's original?

Lisa Gye is enmeshed in the world of Networks (Cells & Silos), the first exhibition in the intriguingly designed new Monash University Museum of Art

At MONA FOMA in Hobart, Matthew Lorenzon revels in the sounds of Speak Percussion, Chiri Bae Il Dong, Cambodian Space Project, Jon Rose and more

Sitting on a street in Sydney's Chinatown, Christen Cornell enjoys video art from and about China's many metropolises at 4A Cinema Alley

Imperial Panda Festival, Sydney; Come Out Festival, Adelaide; Re-enchantment: An Immersive Journey into the Hidden Meanings of Fairy Tales, ABC TV, Radio and Online; Afterglow: Performance Art and Photography, Monash Gallery of Art, Melbourne

RealTime’s writers review the Inbetween Time Festival of Live Art and Intrigue 2010 in Bristol, UK

Keith Gallasch considers the ambivalent after-effects of survival in Force Majeure's gripping Not in a Million Years

Weeks after, Alex Lazaridis Ferguson is still immersed in choreographer Christian Rizzo's enigmatic b.c. janvier, 1545, fontainbleu

Kirsten Krauth succumbs to the charms of a would-be superhero without super powers in Leon Ford's excellent feature film debt, Griff the Invisible

Laetitia Wilson encounters the environmentally focused art of Kerstin Ergenzinger, Guillaume Marmin and Yi Ping Yang, Yun-Ju Chen and Chih-Chieh Huang in Taipei's Digital Arts Festival, Cluster

Flickerfest Tour; Lisa Havilah is the new CEO of CarriageWorks, Jeff Khan joins Performance Space; Arctic Residency report at Midsumma; Australian-Asian art connections; Colbert and censorship

Sophie Travers speaks with Helen Cole, the producer of the Inbetween Time Festival of Live Art and Intrigue, Bristol, 2010

Timothy X Atack feels the intriguing push-me-pull-you of partnerships in the work of Jones and Llyr, Search Party, Action Hero and Pieter Ampe & Guilherme Garrido

Osunwunmi holds her breath while watching Hancock & Kelly Live's Iconographia and stops breathing altogether for Teresa Margolles' Aire

If IBT asks "What next for the body?", Timothy X Atack wonders what answers (or not) Jo Bannon, Alex Bradley, Rod Maclachlan and Teresa Margolles might provide

Timothy X Atack survives the onslaught of Kim Noble's two shows Kim Noble Will Die and You Are Not Alone

Osunwunmi contemplates the subtle complexities of Zoran Todorovic's Warmth and Sarah Jane Norman's Take This, For It Is My Body

Timothy X Atack examines the traces left by Helen Cole, Manuel Vason, Duncan Speakman & Sarah Anderson, Back to Back Theatre and Tim Etchells

Osunwunmi experiences duration and unexpected desire in surprising performances by Paul Hurley and Carter & Zierle

To coincide with our coverage of Inbetween Time 2010, we look back at the highlights of Inbetween Time 2006

Laetitia Wilson admires skateboarding as art in Suspended Motion at The Bakery, Perth

Bryoni Trezise learns from the unconventional wisdom of Chiara Guidi about children and theatre at Campbelltown Arts Centre

To coincide with Chiara Guidi's Australian visit, we survey RealTime writing on Romeo Castelluci and Societas Raffaello Sanzio

James Turrell, Within without, NGA; Lyndal Jones, Rehearsing Catastrophe #1: The Ark in Avoca, Victoria; Melbourne Workers Theatre, Yet to Ascertain the Nature of the Crime; version 1.0 and post, A Distressing Scenario, Sydney; exist-ence: a festival of performance, live and action art, Brisbane; Inbetween Time Festival of Live Art and Intrigue, Bristol

Peter Blamey appreciates the sounds of a 'lost decade' of the not-so-distant past in Volume 2 of Artefacts of Australian Experimental Music, 1974-1983

Caroline Wake travels to Bosnia and back with version 1.0's Kym Vercoe in Seven Kilometres North-East

Sophie Travers speaks with Phillip Adams about BalletLab's upcoming projects in Melbourne, Mexico, Tasmania and beyond

Saige Walton sees the micro and macro simultaneously in epi-thet and en masse at the Melbourne Internationals Arts Festival

Gail Priest reminisces about the glory days of Lanfranchi's Memorial Discotheque while watching Richard Baron's new documentary

Rolling Stock, Junee; Change, Monash University Museum of Art; the Awesome International Arts Festival for Bright Young Things, Perth; Brisbane International Film Festival; Spare Parts and Topology, Brisbane Powerhouse; VOICE: Vocal Aesthetics in Digital Arts and Media, Platform Paper, Moving Across Disciplines: Dance in the 21st Century, Presentiments from the Spider Garden

Jane Hampson takes in the remarkable Mahbilil Festival in Jabiru, Northern Territory

Caroline Wake listens to master storyteller Trevor Jamieson relate the tale of Albert Namatjira’s life in the Big hART/Belvoir co-production Namatjira

Fiona McGregor encounters Bloodbath, a collaboration between Bump Projects and the Sydney Roller Derby

Keith Gallasch explores the delirium of Hybrid Dream by Eclective Productions

Restless Dance Theatre, Next of Kin; Ensemble Offspring, Sounds Absurd; one step at a time like this, Southern Crossings; Suspended Motion, Breadbox Gallery; Dawn Albinger, No Door On Her Mouth – A Lyrical Amputation; Light from Light, State Library of Queensland and Shanghai Library

Denied classification for the Melbourne International Film Festival, LA Zombie was later defiantly screened by the Melbourne Underground Film Festival

Keith Gallasch is impressed by Bangarra Dance Theatre’s Of Earth & Sky, opening in Melbourne this week, featuring new young choreographer Daniel Riley McKinley and Frances Rings

Ella Mudie marvels at the art of Wang Zhiyuan, Wang Jiuliang, Liu Dao/island6, Chen Fei, Yang Fudong and Li Hongbo at The Big Bang, White Rabbit Gallery’s third major exhibition

Dan Edwards looks back at a decade of great Chinese film, including the work of Liu Jiayin, Zhao Dayong, Hu Jie, Ou Ning, Zhao Liang and Jia Zhangke

Bloodbath, Bump Projects and Sydney Roller Derby League; Chunky Move, Glow; 20 Years: Bold, Black, Brilliant, Melbourne Museum; Melbourne Fringe Festival; three new exhibitions at PICA; the Sydney Children’s Festival

Keith Gallasch savours the sounds of cross-cultural collaboration between Brisbane-based Erik Griswold and Vanessa Tomlinson and Chinese composer Zou Xiangping

Doug Leonard finds himself on a bender (well, sort of) in Daniel Santangeli’s Room 328 in Brisbane

Philip Brophy sees 'a war against pop' in Larrikin Music Publishing suing Men at Work over the use of Kookaburra: "a risible iconography that attempts to monopolise the Australian voice as one big rural campfire"

Having previously reviewed Khoa Do’s Mother Fish as a play, Caroline Wake takes a look at the new film version—the first in a planned “refugee trilogy”

We survey art made by, with and about asylum seekers over the past decade, including the work of Mickie Quick, Mireille Astore, Mike Parr, Urban Theatre Projects, Ros Horin, Version 1.0, Tom Zubrycki, Clara Law and more

Sydney Fringe Festival; National Aboriginal Art Awards, Darwin ; Qld Premier’s National New Media Art Award; Simryn Gill, Gathering; Australia Dances 1945-65; Dream Worlds, Australian Moving Image 2010, Beijing

Greg Hooper enjoys the sounds of Vanessa Tomlinson and Erik Griswold on melodica, piano, percussion and a few things he couldn’t recognise

Victoria Carless sees inner worlds revealed in (please give: it a moment), Shamelessly Glitzy Work and 2Whyte at the On Edge festival in Cairns

Diana Klaosen admires works by Kirsty Hulm and Andrew Hustwaite & Anna Varendorff in The Un-Victorious an exhibition at the Criterion Gallery, Hobart

Tom Redwood interviews Alexander Proshkin whose The Miracle is to screen at the 2010 Russian Resurrection Film Festival

Tasmania's James Newitt in MCA's Primavera; The River Project; Continuum Sax, AIR, Speak Percussion; Stephanie Lake, Mix Tape; NYID's HOIST; AEAF & the Mildura Palimpsest; Khoa Do's Mother Fish; Internet censorship

Peter Blamey's ears, not to mention his speakers, bend to the low frequency sounds of Linea, the first release for the Avantwhatever organisation

In an election where art has gone missing from major party campaigns, Keith Gallasch looks at the complexities of the cultural policy issue

Caroline Wake watches the election campaign via TV, Twitter, Get Up! and activist art

Ever since Peter Garrett initiated a public discussion about cultural policy, a wishlist of strategies has been building towards a cultural policy

Our brief, informal guide to some of the best books, essays, online material and broadcasts about Australian cultural policy

Keith Gallasch especially admires Alanna Rose's The Caretaker, one of three mentored Indigenous films from Metro Screen

Zsuzsanna Soboslay finds herself immersed in the sound worlds of the Canberra International Festival of Chamber Music

James Brennan looks at three Brazilian theatre companies investigating the relationship between public and theatrical space

Five days, eight writers and 23 reviews of fascinating dance, including Meg Stuart and Philipp Gehmacher's Maybe Forever, from a Goethe-Institut workshop led by Keith Gallasch

austraLYSIS and Halcyon, Sydney; Brodsky Quartet, Eddie Perfect and Topology, Melbourne, Sydney and Brisbane; Sizzle, Sydney; Lucy Guerin Inc's Human Interest Story, Melbourne; Jenny Kemp's Madeleine, Melbourne; Game On 2.0, Launceston; Anastasia Klose, Adelaide

Gail Priest rediscovers the joy of listening to vinyl thanks to this offering from Joel Stern, Ross Manning and Alex Cuffe

Five days, eight writers and 23 reviews of fascinating dance from a Goethe-Institut workshop led by Keith Gallasch

Gail Priest engages with a range of media and installation responses to water in CMAI's Armory show

Kirsten Krauth plots the workings of nostalgia, dementia and desire in Belinda Chayko’s new feature film

Martyn Jolly comes face to face with works by Stelarc, Osang Gwon and others in Present Tense—digital works at the National Portrait Gallery

Keith Gallasch is engrossed by the revealing interplay of stage and screen in Benedict Andrews' Company B production

Rolex Arts Initiative Awards; NightTime Statewide: Everyday Hero, NSW; Stone/Castro’s Superheroes, Adelaide and Melbourne; Starfuckers, Wollongong; Luke George’s NOW NOW NOW, Melbourne; Persistence of Vision, FACT, Liverpool, UK; Amelia Jones lectures on Marina Abramovic at Artspace

Gary Warner's vivid account of his encounter with Sugimoto's sparking Faraday Cage in the bowels of Cockatoo Island

Kathleen Mary Fallon responds to the Sandra Bullock film in the context of Jedda, Night Cries, Australia and her own script for the film Call Me Mum

Virginia Baxter is drawn into dance screen works that reconfigure bodies and spaces actual and virtual in installations scattered through a university. 

Kirsten Krauth is mesmerised by David Michôd's feature debut, a film expertly realised at every level and far removed from the Underbelly vision of Australian crime.

Keith Gallasch surveys the career of visionary theatre director Benedict Andrews, introducing readers to the many RealTime reviews and articles on and even by the artist. Andrews' Measure for Measure for Company B at Belvoir St plays to July 25.

Room 328 at Metro Arts, Brisbane; Under Milkwood at Sidetrack; Increased funding for NSW arts; Parramatta, creative city; New Cairns cultural precinct; ArtsNSW-UTS initiative, emptyspaces

Jonathan Marshall reports on issues arising in the fourth of the Dramaturgies seminars held in Melbourne

Suzanne Spunner admires this improvised play (now touring to Brisbane Powerhouse and The Dreaming Festival) about an 1834 century massacre of Aboriginal people.

The Japanese artist invites volunteers and passersby to perform unrehearsed at Sydney's Centre 4a for Contemporary Asian Art

Armstrong's revealing feature-length documentary is her fifth exploring the lives of three Adelaide women and now their daughters

Heavy Metal Work Orchestra at Red Rattler; Dancenorth, The Cry, Townsville; Restaged Histories project, YOUTHvsPHYSICS at Brisbane Powerhouse; The Light in Winter, Melbourne, featuring Rafael Lozano-Hemmer; Vivid, Sydney

NSW Arts Minister Virginia Judge initiates dialogue with the small to medium performing arts sector

Megan Garret-Jones looks for the heat in a staging of Moncure March's 1927 poem

Daina Reid's Australian romantic comedy feature fails to deliver that lovin' feeling

Tom Hall's interactive installation marks a step forward according to Matthew O'Neill

Zsuzsanna Soboslay is haunted by Gerard Brophy's Calcutta setting for Easter

Mayu Kanamori and collaborators explore the meanings of death and homeland for Japanese Australians

Save Beijing's Caochangdi art district!; Eve Sussman's Rape of the Sabine Women in ReelDance Festival; hang out at SuperDeluxe in the Sydney Biennale; new digital poems online from Jason Nelson

The detailed improvisatory studies on double-bass delight Chris Reid

Director Jeff Khan talks about risks of scale and form in his innovative 2010 program

Interview with the dancer turned film writer about the evolution of his screenplay from dance to novel to film.

Keith Gallasch praises Andrew Lancaster's new Australian film for its wise and acerbic insights into the traps of grieving

An intensely beautiful and personal documentary explores the astonishing landscape of Lake Eyre

Jeremy Hartley Sims' suspenseful feature on Australian miners burrowing under the Western Front

Zen Zen Zo does Dante's Inferno; Melbourne International Jazz Festival Highlights; media artist Lynette Wallworth makes opera interactive; Adam Geczy's performance art in Gent

Berlin-based Australian's dynamic music theatre, Louis & Bebe

Adelaide inSPACE premiere of new multimedia work about family and bushfire

immersive new performance work, Hole in the Wall, at Campbelltown Arts Centre

Tom Holloway's adventurous new play about 21st century father-daughter relationships

A close look at Dave de Vries' award winning revenge thriller feature film

Willoh S Weiland is new Aphids artistic director; more art for Easter; media arts and Australia's rivers; Women in Piracy—art, adaptation, appropriation & theft

New German film, video art, Easter shows, live art

An argument for making Asian film more visible in Australian screen culture.

The ancient lake figures revealingly in a horror film and a media art installation.

With the addition of RealTime 41-46 the RealTime archive now offers 55 complete editions!

RealTime-Performance Space Open Forum: In place, inner place

Are creative practices on the internet threatened?

Cutting-edge knitwear comes off the runway and into the gallery

Encounter remarkable "living pictures"

A unique selection of images that reflect key changes in society and photographic trends

Experimental electronic artwork PLUS view video documentation of interactive installation tr-IO

A popular film that goes beyond filmic conventions

Reviews, interviews and articles from the archive

An extensive selection from South East Asia to the Middle East

A review of two seductive media arts exhibitions

A selection of reviews, articles and interviews

The best sites, blogs and tools for exploring New Media Arts online

Urgent–Cultural Policy Discussion; NOW Now Festival; a new Sydney Fringe Festival

Review PLUS view a video excerpt

Review PLUS view Miles Van Dorssen's Sydney sound installation

Articles and reviews from 2002-2009

Sound, experimental and new music from artists featured in RealTime over 2009

A guide to websites that cater to sound arts enthusiasts

Review & interview

A rural-gothic mix of musical theatre with visual arts influences

An expansive exhibition curated with scope and sensitivity

Performance-video installation PLUS view video documentation of the exhibition

Articles, reviews and interviews PLUS view an excerpt from The Curiosities

Review, interview PLUS view an excerpt from The appointment

Review and images

Reviews, articles & interviews from the archive

Starter survey of dance film websites PLUS view dance drama machinima

Review & interview PLUS view Into the Void

Free-to-download musical experimentations in review

Fly-on-the-wall inspired visual arts

An encounter with interactive dancing robots

Reviews, articles & interviews from the archive

review, artist statement PLUS view the animation

DX7 synthesiser and Chinese guzheng combine intriguingly

Program shortlist and interview

Multi-sensory experiences in review

Australia's up and coming artists under 35

Interviews and reviews from the archive

Electrofringe 2009; Wayfarer in Melbourne; Rong Rong; Lynette Wallworth documentary; Lucas Abela; Furas dels Baus workshop

Confronting taboo territory and subdued direction breaks new ground

A finely crafted account of Lebanese-Australian life in Western Sydney

Reviews of a selection of sites dedicated to video art and moving image

Temporal and dimensional illusion at the MCA PLUS video excerpt

New music, light, responsive video art and ideas

Japanese-Australian collaboration using live and pre-recorded multimedia

Articles, reviews and interviews

Visual arts and performance reviews

Review & interview PLUS video excerpt

Articles & reviews from the archive

A radiophonic transmission; review & artist statement

Reverberant processing of electroacoustic compositions

Australian-chinese collaboration

Sculpture as music

Contentious cut and paste performances

Reviews, articles & interviews from the archive PLUS a video excerpt

Review & interview

Room 328 at Metro Arts, Brisbane; Under Milkwood at Sidetrack; Increased funding for NSW arts; Parramatta, creative city; New Cairns cultural precinct; ArtsNSW-UTS initiative, emptyspaces